Power Lies in Togetherness
Statement by tranzit.org /
tranzit.org stands by the cultural workers and citizens of Slovakia in their efforts to safeguard the independence of culture and democratic values! We believe in the power of solidarity and acting together for a more sustainable and just world!
We hereby launch a call for international solidarity with Slovak Culture and cultural workers!
Let’s use our networks to spread the word, raise our voices and put an end to the devastation of culture in Slovakia!
Let’s support our colleagues from Slovakia in their struggle within the Cultural Strike!
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Images of the Good Life in the East
Exhibition and Forum /
Chișinău, 14-28 September 2024
Exhibition participants: Darya Tsymbalyuk, Ghenadie Popescu, Maria Doni, Marina Sulima, Nikita Kadan, Pavel Brăila, Tatiana Fiodorova, Alexandra Tatar, Ana Barbu, Ana Kun, Andrei Nacu, Catherine Morland, Daria Nedelcu in collaboration with Cyrill Lim, Jo Brăilescu, Irina Botea & Jon Dean, Lilia Nenescu, Maria Mora in collaboration with Tudor Vlădescu, Paula Dunker, Raluca Popa, Silvia Dogaru
Exhibition venues: Bunker, Lutnița, Zpațiu
Opening: 14 September 2024
Forum participants: Charles Esche (online), Corina Oprea (online), Elena Crippa, Irina Cios, Magda Radu, Miki Braniște (online), Sara Buraya, Theo Prodromidis, Zdenka Badovinac (online), Diana Munteanu, Lilia Dragneva, Nora Dorogan, Octavian Eșanu (online), Pavel Brăila, Rusanda Curcă, Ştefan Rusu, Tatiana Fiodorova, Valeria Barbas, Vitalie Sprînceană, Vladimir Us and others
National Art Museum of Moldova
15 September 2024
Curators: The Resurrection Committee (Adelina Luft, Nora Dorogan, Ovidiu Țichindeleanu, Raluca Voinea)
From 14 to 28 September 2024 the project “Images of the Good Life in the East” will take place in Chișinău, organized by tranzit.ro/Bucharest in partnership with teatru-spălătorie, Ksak Association (Center for Contemporary Art Chișinău) and Bunker space, Lutnița gallery, Zpațiu, and The National Art Museum of Moldova. Curated by Adelina Luft, Nora Dorogan, Ovidiu Țichindeleanu, and Raluca Voinea, the project consists of an exhibition in the partner spaces with an opening on 14 September, and a public forum at the National Art Museum of Moldova taking place on 15 September.
The exhibition brings together artists from Moldova and Ukraine: Ghenadie Popescu, Marina Sulima, Tatiana Fiodorova, Pavel Brăila, Darya Tsymbalyuk, Maria Doni, Nikita Kadan, together with 14 participants from the independent course “Non-Western Technologies for the Good Life” (October 2023 - May 2024): Alexandra Tatar, Ana Barbu, Ana Kun, Andrei Nacu, Catherine Morland, Daria Nedelcu in collaboration with Cyrill Lim, Jo Brăilescu, Irina Botea & Jon Dean, Lilia Nenescu, Maria Mora in collaboration with Tudor Vlădescu, Paula Dunker, Raluca Popa, and Silvia Dogaru.
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POLYCRISES ACROSS DIVIDES
29 - 31 August 2024
Historical Materialism Cluj/Kolozsvár 2024
The first edition of Historical Materialism Cluj/Kolozsvár will take place between 29-31of August 2024, in Cluj-Napoca:
https://hmcluj2024.conference.ubbcluj.ro/
Open call for participation
1st of February - 1st of April 2024
The conference is organized by the Babeș-Bolyai University in partnership with Historical Materialism: Research in Critical Marxist Theory and tranzit.ro/Cluj.
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Marxism & Ecology Summer School
CALL FOR PARTICIPATION now open until the 15th of May /
Câmpu Cetății, Mureș County, Romania
𝐓𝐡𝐮𝐫𝐬𝐝𝐚𝐲 𝟐𝟐𝐧𝐝 𝐀𝐮𝐠𝐮𝐬𝐭 𝐭𝐨 𝐓𝐡𝐮𝐫𝐬𝐝𝐚𝐲 𝟐𝟗𝐭𝐡 𝐀𝐮𝐠𝐮𝐬𝐭 𝟐𝟎𝟐𝟒
With 𝐓𝐫𝐨𝐲 𝐕𝐞𝐭𝐭𝐞𝐬𝐞, 𝐊𝐚𝐭𝐡𝐚𝐫𝐢𝐧𝐚 𝐇𝐮𝐧𝐟𝐞𝐥𝐝, 𝐀𝐭𝐭𝐢𝐥𝐚 𝐒𝐳𝐢𝐠𝐞𝐭𝐢 and 𝐠𝐮𝐞𝐬𝐭𝐬
Call for Participants open until the 𝟏𝟓𝐭𝐡 𝐨𝐟 𝐌𝐚𝐲 𝟐𝟎𝟐𝟒.
It is easy to grow numb to the litany of environmental devastation in recent years. The SARS-CoV-2 pandemic killed thirty million people; atmospheric CO2 stands fifty per cent higher than two centuries ago (currently 423.6 ppm); wildfires rage in Chile and Argentina, while 11,300 people were killed by an overnight flood in Derna; less than a tenth of the world’s plastic is recycled; over 75 billion livestock animals are killed every year; the number of coastal ‘dead zones’ increased from 10 in 1960 to 415 in 2023; the US government declared twenty-one species formerly found in its territory extinct in 2023. One can go on, and on, and on.
At the same time, the last thirty years has seen the development of sophisticated radical critiques of environmental degradation and the ‘capitalocene’, the need for struggle to achieve transformation in response to the continued failure of centrists to achieve meaningful reform.
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The Artist-in-Residence Programme at MQ21/MuseumsQuartier in Vienna
CALL FOR APPLICATIONS open until September 15th, 2024! /
The Artist in Residence Programme at MuseumsQuartier in Vienna is part of ERSTE Foundation’s long-term endeavour to support contemporary art and to strengthen the fragile situation of its creators, especially in the region of Central, Eastern and Southeastern Europe.
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Museum of Real Estate Development
EXHIBITION /
3rd of August 2024 – 31st of October 2024
OPENING: 3rd of August 2024, 8.00 p.m. with a public event starting at 4.00 p.m. @tranzit.ro/ Iasi,
Address: GreenHouse, Str. Sf. Atanasie nr. 25, Iași
Participants: Škart(group), Andreas Fogarasi, Preeti Kathuria, Sarah Muscalu, Mona Vătămanu & Florin Tudor, s.a.b.a (Silvia Amancei & Bogdan Armanu), Vladimir Us & Oberliht Association, REDURB Research Group (Enikő Vincze, Sorin Gog, Ioana Florea, George Zamfir, Mișa Dumitriu, Marina Mironica, Livia Pancu, Manuel Aalbers).
On 4th of August 2024, performative events with Cezar Lăzărescu, Cătălin Gheorghe and Cristina Moraru, Andrei Pripasu, Livia Pancu & Florin Bobu and Andrei Gavril. (closed event)
During the last few decades, the city became a nexus of social struggles and an important point of reference for artists, architects, social scientists, urbanists and activists and this expressed in movements such as the “Right to the City” that emphasized the need for inclusivity, accessibility, and democracy in urban spaces. The neoliberal turn with its overall transformation of our societies and the promotion of capital-intensive models of development as compared to the extractivist or labor intensive ones also opened the space of contestation in which all these social, cultural and political practices are broadly situated.
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The Museum of Real Estate Development Assembly
tranzit.ro/ Iasi,
GreenHouse, Str. Sf. Atanasie nr. 25, Iași
2nd of August 2024, 10 a.m. - 5.30 p.m. (closed event)
Participants: George Zamfir, Enikő Vincze, Mișa Dumitriu, Vladimir Us, Mick Wilson, Andreas Fogarasi, Andrei Timofte, Dumitrița Gurău, Sarah Muscalu, Delia Bulgaru, Mona Vătămanu & Florin Tudor, Cătălin Gheorghe, Cristina Moraru, Preeti Kathuria, Sorin Gog, Ovidiu Țichindeleanu, Ioana Florea, STEALTH.unlimited, Škart, s.a.b.a., Andrei Pripasu.
3rd of August 2024, 4.00 p.m. - 8.00 p.m., (public event)
Participants: Ovidiu Țichindeleanu, Enikő Vincze, Semeneh Ayalew Asfaw, Preeti Kathuria, Mick Wilson, STEALTH.unlimited.
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I, the city
Screening of videoworks from Iasi and the region (1994-2024)
Starting at 8 p.m. on the 1st of August 2024, (public event)
tranzit.ro/ Iasi,
Address: GreenHouse, Str. Sf. Atanasie nr. 25, Iași
The Museum of Real Estate Development invited us to imagine ourselves in the future, in a museum space where the public can see the material traces of real estate development from the beginning of the third millennium in several cities of the world. This exercise of imagination (the detachment from the present) aimed to allow us a critical position towards the phenomenon studied as part of contemporary capitalism. Real estate development was not seen as a finished process, but as an all-pervasive phenomenon that continued to be perpetuated and reinvented, and the cutting of spatio-temporal manifestations of this process turned them into targets of the social-political-cultural critique.
Such moments of attempted critique are also represented by the selected video materials that were produced during the last 3 decades (1994-2024) in Iasi or in the region.
At one level of analysis - that was many times erroneously identified as the city - we can observe in these video productions how the political-economic and social transformations of the last 3 decades have often become objects of artistic and intellectual critical reflection. At different levels of analysis, during the same period of time, we also uncritically experienced paradigmatic shifts in the domain of cultural production itself, the purpose of which was constantly re-calibrated aiming at the emergence and solidification of individual subjectivities that speak for and on behalf of the entire society.
Curated by Florin Bobu & Livia Pancu
Section I (projection):
Matei Bejenaru, Alexandru cel Bun, 1994-2003, 10 min. 16 sec, 2003, Dan Acostioaei, Dragos Alexandrescu, Bahlui by Night, 2 min, 2004, Dan Acostioaei, Reconstruction Scapes, 14 min 50 sec, 2005, Andreea Faciu, Touching the City no. 1 (Iasi, RO) 13 min 25 sec, 2007/2008, Cezar Lăzărescu, ȚESĂTURA IAȘI, 00:59, 2012, Vladimir Us, Marșul (The March), 4 min. 29 sec, 2012, tranzit.ro/ Iași, Prosper Center AW16, 8 min. 26 sec, 2016, Cezar Lăzărescu, ȚESĂTURA IAȘI vs. LIDL, 01:01, 2017, s.a.b.a (Silvia Amancei & Bogdan Armanu) Video Monuments, part 1 (Mitriță & Silvia sr.), documentary, 21 min. 01 sec., 2018, s.a.b.a (Silvia Amancei & Bogdan Armanu), Video Monuments, part 2 (Doru), documentary, 15 min. 30 sec., 2018, Andrei Timofte, Arhitectură-mobilă (Fluid Architecture), 10 min 25 sec., 2019, Andreea Cioară, LC Waikiki, 2 min 17 sec, 2019, Sit Vertical (Livia Pancu & Florin Bobu), Silk District, 4 min 14 sec, 2021, Cătălin Gheorghe, Fragments of a walk through time. A public walk with Florin Bobu and Cătălin Gheorghe, video, 7 min., 14 sec., 2021, Sarah Muscalu, Monument pentru memoria viitoare II / Monuments for future memory II, 5 min 29 sec, 2023, Drazen Crnomat, Kiew, video, 1 min. 29 sec., 2024.
Section II (archive):
s.a.b.a (Silvia Amancei & Bogdan Armanu), Reheating the industry in transition, 14 min 54 sec., 2012, Oberliht Association (Vladimir Us, Ina Ivanceanu, Vahe Budumyan, Gaëlle Mege), Chișinău Civic Center – beyond the red lines, video documentation, 55 min 23 sec, 2013-2014, Florin Bobu, Vacanțe exotice în inima orașului(Exotic Holidays in the Heart of the City), video, 25 min 29 sec, 2016, Andrea Faciu, Touching the City no.3 (Limerick, IE), 28 min. 00 sec, 2009/2010, Andrea Faciu, Touching the City no.2 (Firenze, IT), 25 min. 00 sec, 2007/2010.
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Summer school: GREEN LINE: decentralisation, decoupling, degrowth
CALL for PARTICIPATION
open until the 30th of June 2024.
The summer school take place in the period:
29 July - 4 August 2024
hypha_etc, Câmpu Cetății, Mures county
The Green Line Summer School is aimed at students interested in the video essay as a form of argumentation and communication on the one hand, and the green transition as a subject on the other. The school is open to students regardless of field of study and previous experience.
We expect students from both STEM and socio-humanities backgrounds, as well as high school seniors, to attend the school. There is no registration fee. We offer free accommodation in 4-6 bedded rooms, up to a maximum of 24 beds, plus free camping space. Travel expenses (train or bus) can be covered up to 130 RON.
Those wishing to participate are asked to send a letter of motivation by 30 June to telefonulfarafir2023@gmail.com.
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Quiet Food Sovereignity in Eaestern Europe
Lecture /
With Natalia Momonova (Ukraine/Norway)
respondent: Valer Simion Cosma (Romania)
Friday, 19th 2024, 6-8 p.m
at The National Museum of Romania Peasant (Sala Acvariu entrance from the restaurant)
Cover credits: watercolor painting by Natalia Mamonova
Feeding a growing world population with sustainably produced food has been a challenge and it became critically important in the wake of covid-19, climate change, the wars in ukraine and gaza, and the rise of the far right in europe. while politicians debate how to make our food systems more innovative and resilient, there is a solution that has been available and practised in eastern europe for decades. smallholder farming and local food networks are widespread in many post-socialist countries, but are not typically seen as sustainable alternatives to globalised industrial agriculture. meanwhile, as the example of ukraine has shown, these practices are not only environmentally friendly and sustainable, but also capable of feeding the country’s population with healthy food in peace and wartime.
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Discussion around the book Bright Ecologies with Caretto/Spagna
Saturday, 6th of July.2024, at 2. p.m
A meeting at The Experimental Station for Research on Art and Life
GPS Coordinates
The Italian artistic duo Caretto/Spagna will present their first monograph entitled "Bright Ecologies. Caretto/Spagna: experiences, forms, materials" which extensively traces and documents more than 20 years of their artistic research structured on research involving care, the transformation of matter and experiments in form, materialized in sculptures, site-specific installations, laboratories, residencies, actions, and collective projects based on encounter, process, gift, participation, and co-authorship. The result of a close dialogue between artists, curators, and the publisher, the publication blends a documentary approach, critical and theoretical interpretation, and a rich body of descriptions and images.
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Acting with others: collaborative practices across architecture, design, and radical pedagogies
A series of presentations followed by a discussion and dinner in the garden
With:
Floating (Berlin) / Kristin Lazarova and Jöran Mandik
El Warcha (Tunis) / Aziz Aissaoui, Radhouane Boudhraa, and Marlène Halguevache
Atelier Adhoc Community (Bucharest) / George Marinescu and Daria Oancea
Wednesday, 26 June 2024, 17:00 – 21:00
At The Experimental Station for Research on Art and Life
Organised under the frame of the Creative Europe project Architecture, Biodiversity, Culture [ABC]. Building ecological institutions for culture, the event brings together three self-organised practices of civic action that operate at the intersection of different disciplines through collaborative work and ways of coming together that respond to the specific conditions of each site. Driven by an interest and desire to cultivate collaborations, taking care of neighbourhood connections, building temporary urban furniture and installations with local inhabitants, or by developing potential living scenarios for marginalised urban communities, all three projects seek a new language of practice or new practices altogether for imagining and creating different forms of living.
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ERSTE Foundation is main partner of tranzit:
